{"title":"·Japanese Artists in the Public Domain","description":"\u003cp\u003eArtworks and collections by Japanese Artists which are now in the public domain. They're all out of copyright, so you are free to use them in whatever way you'd like, including commercial use.\u003c\/p\u003e","products":[{"product_id":"eizan-kikukawa-1787-1867-entertainer-standing-on-a-veranda-c-1809-1813","title":"Eizan, Kikukawa (1787-1867) - Entertainer standing on a veranda c.1809-1813","description":"\u003cp\u003eThis image by Kikukawa Eizan features a geisha standing on a veranda.\u003c\/p\u003e\n\u003cp\u003eThis download features 1 hi-res image, in jpeg format. It is 300dpi and 5310 pixels wide by 7810 pixels tall.\u003c\/p\u003e\n\u003cp\u003eThe picture is out of copyright and in the public domain, so you are free to use it in whatever way you'd like, including commercial use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKikukawa Eizan (1787-1867)\u003c\/strong\u003e was a designer of ukiyo-e style Japanese woodblock prints. He first studied with his father, Eiji, a minor painter of the Kanō school, and subsequently with Suzuki Nanrei (1775-1844), of the Shijō school. He is believed to have also studied with ukiyo-e artist Totoya Hokkei (1790–1850). He produced numerous woodblock prints of beautiful women (bijin-ga) in the 1830s, but then abandoned printmaking in favour of painting.\u003c\/p\u003e\n\u003cp\u003eEizan was the most prolific, longest-lived and ultimately the best of those late followers of Utamaro who attempted to carry on the master's bijin style after his death in 1806. Along with Tsukimaro and Utamaro II, Eizan has generally been dismissed by connoisseurs as a plagiarist of Utamaro's late style, but his work in fact develops, like that of most ukiyo-e artists, from a close identification with a leading master to a studied independence, and contains pieces of remarkable beauty and interest.\u003c\/p\u003e\n\u003cp\u003eAs Eizan reached artistic maturity, he began to develop his own figural style, still focused for the most part on prints of beautiful women (bijin-ga). Eizan's work retains the sensitivities and lyricism that marks the Utamaro style, as opposed to the earthier realism and more overt sensuality of Kunisada and Keisai Eisen.\u003c\/p\u003e\n\u003cp\u003eEizan, like Toyokuni I in actor prints, is the last manifestation of the classical ukiyo-e style in bijin work, with harmonious colours and graceful lines and subjects. After him, one senses the introduction of a different aesthetic, with harsher colours, angular lines and less ethereal material, more of an emphasis, in sum, on the material weight of earthly life, rather than its transformation into something of elegance.\u003c\/p\u003e\n\u003cp\u003eHe was also left-handed, which was strange at such a time in Japan.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Digital Download - 1 image","offers":[{"title":"Default Title","offer_id":50379265409354,"sku":null,"price":0.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7965\/7290\/files\/Eizan_Kikukawa_1787-1867_-Entertainerstandingonaveranda.jpg?v=1747052206"},{"product_id":"eizan-kikukawa-1787-1867-evening-rain-at-karasaki-c-1810-1818","title":"Eizan, Kikukawa (1787-1867) - Evening rain at Karasaki c.1810-1818","description":"\u003cp\u003eThis image by Kikukawa Eizan features evening rain at Karasaki.\u003c\/p\u003e\n\u003cp\u003eThis download features 1 hi-res image, in jpeg format. It is 300dpi and 3345 pixels wide by 4998 pixels tall.\u003c\/p\u003e\n\u003cp\u003eThe picture is out of copyright and in the public domain, so you are free to use it in whatever way you'd like, including commercial use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKikukawa Eizan (1787-1867)\u003c\/strong\u003e was a designer of ukiyo-e style Japanese woodblock prints. He first studied with his father, Eiji, a minor painter of the Kanō school, and subsequently with Suzuki Nanrei (1775-1844), of the Shijō school. He is believed to have also studied with ukiyo-e artist Totoya Hokkei (1790–1850). He produced numerous woodblock prints of beautiful women (bijin-ga) in the 1830s, but then abandoned printmaking in favour of painting.\u003c\/p\u003e\n\u003cp\u003eEizan was the most prolific, longest-lived and ultimately the best of those late followers of Utamaro who attempted to carry on the master's bijin style after his death in 1806. Along with Tsukimaro and Utamaro II, Eizan has generally been dismissed by connoisseurs as a plagiarist of Utamaro's late style, but his work in fact develops, like that of most ukiyo-e artists, from a close identification with a leading master to a studied independence, and contains pieces of remarkable beauty and interest.\u003c\/p\u003e\n\u003cp\u003eAs Eizan reached artistic maturity, he began to develop his own figural style, still focused for the most part on prints of beautiful women (bijin-ga). Eizan's work retains the sensitivities and lyricism that marks the Utamaro style, as opposed to the earthier realism and more overt sensuality of Kunisada and Keisai Eisen.\u003c\/p\u003e\n\u003cp\u003eEizan, like Toyokuni I in actor prints, is the last manifestation of the classical ukiyo-e style in bijin work, with harmonious colours and graceful lines and subjects. 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It is 300dpi and 4223 pixels wide by 6272 pixels tall.\u003c\/p\u003e\n\u003cp\u003eThe picture is out of copyright and in the public domain, so you are free to use it in whatever way you'd like, including commercial use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKikukawa Eizan (1787-1867)\u003c\/strong\u003e was a designer of ukiyo-e style Japanese woodblock prints. He first studied with his father, Eiji, a minor painter of the Kanō school, and subsequently with Suzuki Nanrei (1775-1844), of the Shijō school. He is believed to have also studied with ukiyo-e artist Totoya Hokkei (1790–1850). He produced numerous woodblock prints of beautiful women (bijin-ga) in the 1830s, but then abandoned printmaking in favour of painting.\u003c\/p\u003e\n\u003cp\u003eEizan was the most prolific, longest-lived and ultimately the best of those late followers of Utamaro who attempted to carry on the master's bijin style after his death in 1806. Along with Tsukimaro and Utamaro II, Eizan has generally been dismissed by connoisseurs as a plagiarist of Utamaro's late style, but his work in fact develops, like that of most ukiyo-e artists, from a close identification with a leading master to a studied independence, and contains pieces of remarkable beauty and interest.\u003c\/p\u003e\n\u003cp\u003eAs Eizan reached artistic maturity, he began to develop his own figural style, still focused for the most part on prints of beautiful women (bijin-ga). Eizan's work retains the sensitivities and lyricism that marks the Utamaro style, as opposed to the earthier realism and more overt sensuality of Kunisada and Keisai Eisen.\u003c\/p\u003e\n\u003cp\u003eEizan, like Toyokuni I in actor prints, is the last manifestation of the classical ukiyo-e style in bijin work, with harmonious colours and graceful lines and subjects. After him, one senses the introduction of a different aesthetic, with harsher colours, angular lines and less ethereal material, more of an emphasis, in sum, on the material weight of earthly life, rather than its transformation into something of elegance.\u003c\/p\u003e\n\u003cp\u003eHe was also left-handed, which was strange at such a time in Japan.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Digital Download - 1 image","offers":[{"title":"Default Title","offer_id":50379442553162,"sku":null,"price":0.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7965\/7290\/files\/Eizan_Kikukawa_1787-1867_-Kiyomizukomachi.jpg?v=1747052204"},{"product_id":"eizan-kikukawa-1787-1867-the-courtesan-aizome-of-the-ebiya-1800s","title":"Eizan, Kikukawa (1787-1867) - The Courtesan Aizome of the Ebiya 1800s","description":"\u003cp\u003eThis image by Kikukawa Eizan features a Japanese geisha.\u003c\/p\u003e\n\u003cp\u003eThis download features 1 hi-res image, in jpeg format. It is 300dpi and 5235 pixels wide by 7564 pixels tall.\u003c\/p\u003e\n\u003cp\u003eThe picture is out of copyright and in the public domain, so you are free to use it in whatever way you'd like, including commercial use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKikukawa Eizan (1787-1867)\u003c\/strong\u003e was a designer of ukiyo-e style Japanese woodblock prints. He first studied with his father, Eiji, a minor painter of the Kanō school, and subsequently with Suzuki Nanrei (1775-1844), of the Shijō school. He is believed to have also studied with ukiyo-e artist Totoya Hokkei (1790–1850). He produced numerous woodblock prints of beautiful women (bijin-ga) in the 1830s, but then abandoned printmaking in favour of painting.\u003c\/p\u003e\n\u003cp\u003eEizan was the most prolific, longest-lived and ultimately the best of those late followers of Utamaro who attempted to carry on the master's bijin style after his death in 1806. 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It is 300dpi and 5085 pixels wide by 7542 pixels tall.\u003c\/p\u003e\n\u003cp\u003eThe picture is out of copyright and in the public domain, so you are free to use it in whatever way you'd like, including commercial use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKikukawa Eizan (1787-1867)\u003c\/strong\u003e was a designer of ukiyo-e style Japanese woodblock prints. He first studied with his father, Eiji, a minor painter of the Kanō school, and subsequently with Suzuki Nanrei (1775-1844), of the Shijō school. He is believed to have also studied with ukiyo-e artist Totoya Hokkei (1790–1850). He produced numerous woodblock prints of beautiful women (bijin-ga) in the 1830s, but then abandoned printmaking in favour of painting.\u003c\/p\u003e\n\u003cp\u003eEizan was the most prolific, longest-lived and ultimately the best of those late followers of Utamaro who attempted to carry on the master's bijin style after his death in 1806. 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After him, one senses the introduction of a different aesthetic, with harsher colours, angular lines and less ethereal material, more of an emphasis, in sum, on the material weight of earthly life, rather than its transformation into something of elegance.\u003c\/p\u003e\n\u003cp\u003eHe was also left-handed, which was strange at such a time in Japan.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Digital Download - 1 image","offers":[{"title":"Default Title","offer_id":50379502813514,"sku":null,"price":0.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7965\/7290\/files\/Eizan_Kikukawa_1787-1867_-CourtesanBesideKimono.jpg?v=1747052202"},{"product_id":"eizan-kikukawa-1787-1867-a-lady-in-waiting","title":"Eizan, Kikukawa (1787-1867) - A Lady-in-Waiting","description":"\u003cp\u003eThis image by Kikukawa Eizan features a Japanese geisha.\u003c\/p\u003e\n\u003cp\u003eThis download features 1 hi-res image, in jpeg format. It is 300dpi and 4986 pixels wide by 7443 pixels tall.\u003c\/p\u003e\n\u003cp\u003eThe picture is out of copyright and in the public domain, so you are free to use it in whatever way you'd like, including commercial use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKikukawa Eizan (1787-1867)\u003c\/strong\u003e was a designer of ukiyo-e style Japanese woodblock prints. He first studied with his father, Eiji, a minor painter of the Kanō school, and subsequently with Suzuki Nanrei (1775-1844), of the Shijō school. He is believed to have also studied with ukiyo-e artist Totoya Hokkei (1790–1850). He produced numerous woodblock prints of beautiful women (bijin-ga) in the 1830s, but then abandoned printmaking in favour of painting.\u003c\/p\u003e\n\u003cp\u003eEizan was the most prolific, longest-lived and ultimately the best of those late followers of Utamaro who attempted to carry on the master's bijin style after his death in 1806. Along with Tsukimaro and Utamaro II, Eizan has generally been dismissed by connoisseurs as a plagiarist of Utamaro's late style, but his work in fact develops, like that of most ukiyo-e artists, from a close identification with a leading master to a studied independence, and contains pieces of remarkable beauty and interest.\u003c\/p\u003e\n\u003cp\u003eAs Eizan reached artistic maturity, he began to develop his own figural style, still focused for the most part on prints of beautiful women (bijin-ga). Eizan's work retains the sensitivities and lyricism that marks the Utamaro style, as opposed to the earthier realism and more overt sensuality of Kunisada and Keisai Eisen.\u003c\/p\u003e\n\u003cp\u003eEizan, like Toyokuni I in actor prints, is the last manifestation of the classical ukiyo-e style in bijin work, with harmonious colours and graceful lines and subjects. After him, one senses the introduction of a different aesthetic, with harsher colours, angular lines and less ethereal material, more of an emphasis, in sum, on the material weight of earthly life, rather than its transformation into something of elegance.\u003c\/p\u003e\n\u003cp\u003eHe was also left-handed, which was strange at such a time in Japan.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Digital Download - 1 image","offers":[{"title":"Default Title","offer_id":50379679629642,"sku":null,"price":0.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7965\/7290\/files\/Eizan_Kikukawa_1787-1867_-ALady-in.jpg?v=1747052202"},{"product_id":"hokusai-69-high-resolution-images","title":"Hokusai 69 High Resolution Images","description":"\u003cp\u003eKatsushika Hokusai, also known simply as Hokusai, was a talented artist of the Edo period in Japan. He was highly skilled in both painting and printmaking, as seen in his renowned works such as the Thirty-Six Views of Mount Fuji series, featuring the famous artwork \u003cstrong\u003eThe Great Wave off Kanagawa\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThis download features 69 hi-res images, in jpeg format, by the Japanese artist Hokusai.\u003c\/p\u003e\n\u003cp\u003eThe images are all 600dpi or 300dpi and range in size from 3080 pixels wide\/tall to 8717 pixels wide\/tall.\u003c\/p\u003e\n\u003cp\u003eThe pictures are out of copyright and in the public domain, so you are free to use them in whatever way you'd like, including commercial use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKatsushika Hokusai (1760-1849)\u003c\/strong\u003e, known mononymously as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. His woodblock print series Thirty-Six Views of Mount Fuji includes the iconic print The Great Wave off Kanagawa. Hokusai was instrumental in developing ukiyo-e from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals. His works had a significant influence on Vincent van Gogh and Claude Monet during the wave of Japonisme that spread across Europe in the late 19th century.\u003c\/p\u003e\n\u003cp\u003eHokusai created the monumental Thirty-Six Views of Mount Fuji as a response to a domestic travel boom in Japan and as part of a personal interest in Mount Fuji. It was this series, specifically, \u003cstrong\u003eThe Great Wave off Kanagawa\u003c\/strong\u003e and \u003cstrong\u003eFine Wind, Clear Morning\u003c\/strong\u003e, that secured his fame both in Japan and overseas.\u003c\/p\u003e\n\u003cp\u003eHokusai was best known for his woodblock ukiyo-e prints, but he worked in a variety of mediums including painting and book illustration. Starting as a young child, he continued working and improving his style until his death, aged 88. In a long and successful career, Hokusai produced over 30,000 paintings, sketches, woodblock prints, and images for picture books. Innovative in his compositions and exceptional in his drawing technique, Hokusai is considered one of the greatest masters in the history of art.\u003c\/p\u003e\n\u003cp\u003eHokusai was known by at least thirty names during his lifetime. While the use of multiple names was a common practice of Japanese artists of the time, his number of pseudonyms exceeds that of any other major Japanese artist. His name changes are so frequent, and so often related to changes in his artistic production and style, that they are used for breaking his life up into periods.\u003c\/p\u003e\n\u003cp\u003eAt the age of 12, his father sent him to work in a bookshop and lending library, a popular institution in Japanese cities, where reading books made from woodcut blocks was a popular entertainment of the middle and upper classes. At 14, he worked as an apprentice to a woodcarver, until the age of 18, when he entered the studio of Katsukawa Shunshō. Shunshō was an artist of ukiyo-e, a style of woodblock prints and paintings that Hokusai would master, and head of the so-called Katsukawa school. Ukiyo-e, as practiced by artists like Shunshō, focused on images of the courtesans (bijin-ga) and kabuki actors (yakusha-e) who were popular in Japan's cities at the time.\u003c\/p\u003e\n\u003cp\u003eAfter a year, Hokusai's name changed for the first time, when he was dubbed Shunrō by his master. It was under this name that he published his first prints, a series of pictures of kabuki actors published in 1779. During the decade he worked in Shunshō's studio, Hokusai was married to his first wife, about whom very little is known except that she died in the early 1790s. He married again in 1797, although this second wife also died after a short time. He fathered two sons and three daughters with these two wives, and his youngest daughter Ei, also known as Ōi, eventually became an artist and his assistant. \u003c\/p\u003e\n\u003cp\u003eHokusai had achievements in various fields as an artist. He made designs for book illustrations and colour woodblock prints, sketches, and painting for over 70 years. Hokusai was an early experimenter with Western linear perspective among Japanese artists. Hokusai himself was influenced by Sesshū Tōyō and other styles of Chinese painting. His influence stretches across the globe to his Western contemporaries in nineteenth-century Europe with Japonism, which started with a craze for collecting Japanese art, particularly ukiyo-e. Some of the first samples were to be seen in Paris, when in about 1856, the French printmaker, designer and colleague of many Impressionsist artists such as Édouard Manet, Félix Bracquemond first came across a copy of a Hokusai sketchbook at the workshop of August Dalatre, his printer.\u003c\/p\u003e\n\u003cp\u003eWith the sketchbook as his influence Bracquemond designed the \"Rousseau Service\", an elegant set of dinnerware, on behalf of Francois-Eugene Rousseau, the owner of a glass and ceramics shop. Exhibited at the Universal Exposition in Paris in 1867, the Rousseau Service was a success both critically and commercially and was reissued in several editions over the years. The Rousseau Service featured images of birds and fish copied from the Japanese book illustrations and placed asymmetrically against a white background for a look that would have been very modern at that time.\u003c\/p\u003e\n\u003cp\u003eHokusai also influenced the Impressionism movement, with themes echoing his work appearing in the work of Claude Monet and Pierre-Auguste Renoir, as well as Art Nouveau, or Jugendstil in Germany. His woodcuts were collected by many European artists, including Degas, Gauguin, Klimt, Franz Marc, August Macke, Édouard Manet, and van Gogh. Degas said of him, \"Hokusai is not just one artist among others in the Floating World. He is an island, a continent, a whole world in himself\". Hermann Obrist's whiplash motif, or Peitschenhieb, which came to exemplify the new movement, is visibly influenced by Hokusai's work.\u003c\/p\u003e\n\u003cp\u003eThe French composer Claude Debussy's tone poem La Mer, which debuted in 1905, is believed to have been inspired by Hokusai's print The Great Wave. The composer had an impression of it hanging in his living room and specifically requested that it be used on the cover of the published score, which was widely distributed, and the music itself incorporated Japanese-inflected harmonies.\u003c\/p\u003e","brand":"Digital Download - 69 images","offers":[{"title":"Default Title","offer_id":50494637998410,"sku":null,"price":4.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7965\/7290\/files\/Hokusai_69_High_Resolution_Images.jpg?v=1747039184"},{"product_id":"ukiyo-e-or-japanese-wood-block-prints","title":"Ukiyo-e or Japanese Wood-block Prints - 95 High Resolution Images","description":"\u003cp\u003eExperience the amazing art of Ukiyo-e, or Japanese Wood-block printing, with this set of 95 images that demonstrate this period of Japanese art history.\u003c\/p\u003e\n\u003cp\u003eArtists include the following :-\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eKaigetsudo Anchi Eiri (fl.1794-96)\u003c\/li\u003e\n\u003cli\u003eChobunsai Eishi (1756-1829)\u003c\/li\u003e\n\u003cli\u003eChokosai Eisho (fl.1780-1800)\u003c\/li\u003e\n\u003cli\u003eSuzuki Harunobu (1724-1770)\u003c\/li\u003e\n\u003cli\u003eAndo Hiroshige (1797-1858)\u003c\/li\u003e\n\u003cli\u003eEisen Ikeda (1790-1848)\u003c\/li\u003e\n\u003cli\u003eTorii Kiyonaga (1752-1815)\u003c\/li\u003e\n\u003cli\u003eKiyochika Kobayashi (1847-1915)\u003c\/li\u003e\n\u003cli\u003eUtagawa Kunisada (1786-1865)\u003c\/li\u003e\n\u003cli\u003eToshusai Sharaku (fl.1794-95)\u003c\/li\u003e\n\u003cli\u003eKatsukawa Shunei (1762-1819)\u003c\/li\u003e\n\u003cli\u003eYoshitoshi Taiso (1839-1892)\u003c\/li\u003e\n\u003cli\u003eUtagawa Toyoharu (1735-1814)\u003c\/li\u003e\n\u003cli\u003eIshikawa Toyonobu (1711-1785)\u003c\/li\u003e\n\u003cli\u003eKitagawa Utamaro (1753-1806)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAnd many more!\u003c\/p\u003e\n\u003cp\u003eThis download features 95 hi-res images, in jpeg format. The images are all 300dpi or 600dpi and range in size from 2045 pixels wide\/tall to 6624 pixels wide\/tall.\u003c\/p\u003e\n\u003cp\u003eThe pictures are out of copyright and in the public domain, so you are free to use them in whatever way you’d like, including commercial use.\u003c\/p\u003e","brand":"Digital Download - 95 images","offers":[{"title":"Default Title","offer_id":50632454897994,"sku":null,"price":4.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7965\/7290\/files\/Ukiyo-e_or_Japanese_Wood-block_Prints_95_Images.jpg?v=1747045209"},{"product_id":"hokusai-katsushika-1760-1849-cuckoo-azalea-1828","title":"Hokusai, Katsushika (1760-1849) - Cuckoo \u0026 Azalea 1828","description":"\u003cp\u003eThis Japanese wood-block print, or ukiyo-e, is by renowned artist Hokusai (1760-1849).\u003c\/p\u003e\n\u003cp\u003eThis download consists of 1 image, in jpeg format, that is 600dpi and 4312 pixels wide by 5992 pixels tall.\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe picture is out of copyright and in the public domain, so you are free to use it in whatever way you'd like, including commercial use.\u003c\/p\u003e\n\u003cp\u003eThis image is not included in our Hokusai 69-image collection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKatsushika Hokusai (1760-1849)\u003c\/strong\u003e, known mononymously as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. His woodblock print series Thirty-Six Views of Mount Fuji includes the iconic print The Great Wave off Kanagawa. Hokusai was instrumental in developing ukiyo-e from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals. His works had a significant influence on Vincent van Gogh and Claude Monet during the wave of Japonisme that spread across Europe in the late 19th century.\u003c\/p\u003e\n\u003cp\u003eHokusai created the monumental Thirty-Six Views of Mount Fuji as a response to a domestic travel boom in Japan and as part of a personal interest in Mount Fuji. It was this series, specifically, \u003cstrong\u003eThe Great Wave off Kanagawa\u003c\/strong\u003e and \u003cstrong\u003eFine Wind, Clear Morning\u003c\/strong\u003e, that secured his fame both in Japan and overseas.\u003c\/p\u003e\n\u003cp\u003eHokusai was best known for his woodblock ukiyo-e prints, but he worked in a variety of mediums including painting and book illustration. Starting as a young child, he continued working and improving his style until his death, aged 88. In a long and successful career, Hokusai produced over 30,000 paintings, sketches, woodblock prints, and images for picture books. Innovative in his compositions and exceptional in his drawing technique, Hokusai is considered one of the greatest masters in the history of art.\u003c\/p\u003e\n\u003cp\u003eHokusai was known by at least thirty names during his lifetime. While the use of multiple names was a common practice of Japanese artists of the time, his number of pseudonyms exceeds that of any other major Japanese artist. His name changes are so frequent, and so often related to changes in his artistic production and style, that they are used for breaking his life up into periods.\u003c\/p\u003e\n\u003cp\u003eAt the age of 12, his father sent him to work in a bookshop and lending library, a popular institution in Japanese cities, where reading books made from woodcut blocks was a popular entertainment of the middle and upper classes. At 14, he worked as an apprentice to a woodcarver, until the age of 18, when he entered the studio of Katsukawa Shunshō. Shunshō was an artist of ukiyo-e, a style of woodblock prints and paintings that Hokusai would master, and head of the so-called Katsukawa school. Ukiyo-e, as practiced by artists like Shunshō, focused on images of the courtesans (bijin-ga) and kabuki actors (yakusha-e) who were popular in Japan's cities at the time.\u003c\/p\u003e\n\u003cp\u003eAfter a year, Hokusai's name changed for the first time, when he was dubbed Shunrō by his master. It was under this name that he published his first prints, a series of pictures of kabuki actors published in 1779. During the decade he worked in Shunshō's studio, Hokusai was married to his first wife, about whom very little is known except that she died in the early 1790s. He married again in 1797, although this second wife also died after a short time. He fathered two sons and three daughters with these two wives, and his youngest daughter Ei, also known as Ōi, eventually became an artist and his assistant. \u003c\/p\u003e\n\u003cp\u003eHokusai had achievements in various fields as an artist. He made designs for book illustrations and woodblock prints, sketches, and painting for over 70 years. Hokusai was an early experimenter with Western linear perspective among Japanese artists. Hokusai himself was influenced by Sesshū Tōyō and other styles of Chinese painting. His influence stretches across the globe to his Western contemporaries in nineteenth-century Europe with Japonism, which started with a craze for collecting Japanese art, particularly ukiyo-e. Some of the first samples were to be seen in Paris, when in about 1856, the French printmaker, designer and colleague of many Impressionsist artists such as Édouard Manet, Félix Bracquemond first came across a copy of a Hokusai sketchbook at the workshop of August Dalatre, his printer.\u003c\/p\u003e\n\u003cp\u003eWith the sketchbook as his influence Bracquemond designed the \"Rousseau Service\", an elegant set of dinnerware, on behalf of Francois-Eugene Rousseau, the owner of a glass and ceramics shop. Exhibited at the Universal Exposition in Paris in 1867, the Rousseau Service was a success both critically and commercially and was reissued in several editions over the years. The Rousseau Service featured images of birds and fish copied from the Japanese book illustrations and placed asymmetrically against a white background for a look that would have been very modern at that time.\u003c\/p\u003e\n\u003cp\u003eHokusai also influenced the Impressionism movement, with themes echoing his work appearing in the work of Claude Monet and Pierre-Auguste Renoir, as well as Art Nouveau, or Jugendstil in Germany. His woodcuts were collected by many European artists, including Degas, Gauguin, Klimt, Franz Marc, August Macke, Édouard Manet, and van Gogh. Degas said of him, \"Hokusai is not just one artist among others in the Floating World. He is an island, a continent, a whole world in himself\". Hermann Obrist's whiplash motif, or Peitschenhieb, which came to exemplify the new movement, is visibly influenced by Hokusai's work.\u003c\/p\u003e\n\u003cp\u003eThe French composer Claude Debussy's tone poem La Mer, which debuted in 1905, is believed to have been inspired by Hokusai's print The Great Wave. The composer had an impression of it hanging in his living room and specifically requested that it be used on the cover of the published score, which was widely distributed, and the music itself incorporated Japanese-inflected harmonies.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Digital Download - 1 image","offers":[{"title":"Default Title","offer_id":50633238937930,"sku":null,"price":0.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7965\/7290\/files\/Hokusai_Katsushika_1760-1849_-Cuckoo_Azalea1828_main.jpg?v=1747052080"},{"product_id":"hokusai-katsushika-1760-1849-fine-wind-clear-weather-c-1830","title":"Hokusai, Katsushika (1760-1849) - Fine Wind, Clear Weather c.1830","description":"\u003cp\u003eThis Japanese wood-block print, or ukiyo-e, is by renowned artist Hokusai (1760-1849).\u003c\/p\u003e\n\u003cp\u003eThis download consists of 1 image, in jpeg format, that is 600dpi and 6597 pixels wide by 4500 pixels tall.\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe picture is out of copyright and in the public domain, so you are free to use it in whatever way you'd like, including commercial use.\u003c\/p\u003e\n\u003cp\u003eThis image is included in our Hokusai 69-image collection although it's a slightly smaller version in the collection (5196 x 3520 pixels).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKatsushika Hokusai (1760-1849)\u003c\/strong\u003e, known mononymously as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. His woodblock print series Thirty-Six Views of Mount Fuji includes the iconic print The Great Wave off Kanagawa. Hokusai was instrumental in developing ukiyo-e from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals. His works had a significant influence on Vincent van Gogh and Claude Monet during the wave of Japonisme that spread across Europe in the late 19th century.\u003c\/p\u003e\n\u003cp\u003eHokusai created the monumental Thirty-Six Views of Mount Fuji as a response to a domestic travel boom in Japan and as part of a personal interest in Mount Fuji. It was this series, specifically, \u003cstrong\u003eThe Great Wave off Kanagawa\u003c\/strong\u003e and \u003cstrong\u003eFine Wind, Clear Morning\u003c\/strong\u003e, that secured his fame both in Japan and overseas.\u003c\/p\u003e\n\u003cp\u003eHokusai was best known for his woodblock ukiyo-e prints, but he worked in a variety of mediums including painting and book illustration. Starting as a young child, he continued working and improving his style until his death, aged 88. In a long and successful career, Hokusai produced over 30,000 paintings, sketches, woodblock prints, and images for picture books. Innovative in his compositions and exceptional in his drawing technique, Hokusai is considered one of the greatest masters in the history of art.\u003c\/p\u003e\n\u003cp\u003eHokusai was known by at least thirty names during his lifetime. While the use of multiple names was a common practice of Japanese artists of the time, his number of pseudonyms exceeds that of any other major Japanese artist. His name changes are so frequent, and so often related to changes in his artistic production and style, that they are used for breaking his life up into periods.\u003c\/p\u003e\n\u003cp\u003eAt the age of 12, his father sent him to work in a bookshop and lending library, a popular institution in Japanese cities, where reading books made from woodcut blocks was a popular entertainment of the middle and upper classes. At 14, he worked as an apprentice to a woodcarver, until the age of 18, when he entered the studio of Katsukawa Shunshō. Shunshō was an artist of ukiyo-e, a style of woodblock prints and paintings that Hokusai would master, and head of the so-called Katsukawa school. Ukiyo-e, as practiced by artists like Shunshō, focused on images of the courtesans (bijin-ga) and kabuki actors (yakusha-e) who were popular in Japan's cities at the time.\u003c\/p\u003e\n\u003cp\u003eAfter a year, Hokusai's name changed for the first time, when he was dubbed Shunrō by his master. It was under this name that he published his first prints, a series of pictures of kabuki actors published in 1779. During the decade he worked in Shunshō's studio, Hokusai was married to his first wife, about whom very little is known except that she died in the early 1790s. He married again in 1797, although this second wife also died after a short time. He fathered two sons and three daughters with these two wives, and his youngest daughter Ei, also known as Ōi, eventually became an artist and his assistant. \u003c\/p\u003e\n\u003cp\u003eHokusai had achievements in various fields as an artist. He made designs for book illustrations and woodblock prints, sketches, and painting for over 70 years. Hokusai was an early experimenter with Western linear perspective among Japanese artists. Hokusai himself was influenced by Sesshū Tōyō and other styles of Chinese painting. His influence stretches across the globe to his Western contemporaries in nineteenth-century Europe with Japonism, which started with a craze for collecting Japanese art, particularly ukiyo-e. Some of the first samples were to be seen in Paris, when in about 1856, the French printmaker, designer and colleague of many Impressionsist artists such as Édouard Manet, Félix Bracquemond first came across a copy of a Hokusai sketchbook at the workshop of August Dalatre, his printer.\u003c\/p\u003e\n\u003cp\u003eWith the sketchbook as his influence Bracquemond designed the \"Rousseau Service\", an elegant set of dinnerware, on behalf of Francois-Eugene Rousseau, the owner of a glass and ceramics shop. Exhibited at the Universal Exposition in Paris in 1867, the Rousseau Service was a success both critically and commercially and was reissued in several editions over the years. The Rousseau Service featured images of birds and fish copied from the Japanese book illustrations and placed asymmetrically against a white background for a look that would have been very modern at that time.\u003c\/p\u003e\n\u003cp\u003eHokusai also influenced the Impressionism movement, with themes echoing his work appearing in the work of Claude Monet and Pierre-Auguste Renoir, as well as Art Nouveau, or Jugendstil in Germany. His woodcuts were collected by many European artists, including Degas, Gauguin, Klimt, Franz Marc, August Macke, Édouard Manet, and van Gogh. Degas said of him, \"Hokusai is not just one artist among others in the Floating World. He is an island, a continent, a whole world in himself\". Hermann Obrist's whiplash motif, or Peitschenhieb, which came to exemplify the new movement, is visibly influenced by Hokusai's work.\u003c\/p\u003e\n\u003cp\u003eThe French composer Claude Debussy's tone poem La Mer, which debuted in 1905, is believed to have been inspired by Hokusai's print The Great Wave. The composer had an impression of it hanging in his living room and specifically requested that it be used on the cover of the published score, which was widely distributed, and the music itself incorporated Japanese-inflected harmonies.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Digital Download - 1 image","offers":[{"title":"Default Title","offer_id":50633361064266,"sku":null,"price":0.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7965\/7290\/files\/Hokusai_Katsushika_1760-1849_-FineWind_ClearWeather_main.jpg?v=1747052079"},{"product_id":"hokusai-katsushika-1760-1849-fine-wind-clear-weather-c-1830-copy","title":"Hokusai, Katsushika (1760-1849) - The Waterfall of Yoshino c.1830","description":"\u003cp\u003eThis Japanese wood-block print, or ukiyo-e, is by renowned artist Hokusai (1760-1849).\u003c\/p\u003e\n\u003cp\u003eThis download consists of 1 image, in jpeg format, that is 600dpi and 4264 pixels wide by 6309 pixels tall.\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe picture is out of copyright and in the public domain, so you are free to use it in whatever way you'd like, including commercial use.\u003c\/p\u003e\n\u003cp\u003eThis image is included in our Hokusai 69-image collection although it's a slightly smaller version in the collection (4032 x 6008 pixels).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKatsushika Hokusai (1760-1849)\u003c\/strong\u003e, known mononymously as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. His woodblock print series Thirty-Six Views of Mount Fuji includes the iconic print The Great Wave off Kanagawa. Hokusai was instrumental in developing ukiyo-e from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals. His works had a significant influence on Vincent van Gogh and Claude Monet during the wave of Japonisme that spread across Europe in the late 19th century.\u003c\/p\u003e\n\u003cp\u003eHokusai created the monumental Thirty-Six Views of Mount Fuji as a response to a domestic travel boom in Japan and as part of a personal interest in Mount Fuji. It was this series, specifically, \u003cstrong\u003eThe Great Wave off Kanagawa\u003c\/strong\u003e and \u003cstrong\u003eFine Wind, Clear Morning\u003c\/strong\u003e, that secured his fame both in Japan and overseas.\u003c\/p\u003e\n\u003cp\u003eHokusai was best known for his woodblock ukiyo-e prints, but he worked in a variety of mediums including painting and book illustration. Starting as a young child, he continued working and improving his style until his death, aged 88. In a long and successful career, Hokusai produced over 30,000 paintings, sketches, woodblock prints, and images for picture books. Innovative in his compositions and exceptional in his drawing technique, Hokusai is considered one of the greatest masters in the history of art.\u003c\/p\u003e\n\u003cp\u003eHokusai was known by at least thirty names during his lifetime. While the use of multiple names was a common practice of Japanese artists of the time, his number of pseudonyms exceeds that of any other major Japanese artist. His name changes are so frequent, and so often related to changes in his artistic production and style, that they are used for breaking his life up into periods.\u003c\/p\u003e\n\u003cp\u003eAt the age of 12, his father sent him to work in a bookshop and lending library, a popular institution in Japanese cities, where reading books made from woodcut blocks was a popular entertainment of the middle and upper classes. At 14, he worked as an apprentice to a woodcarver, until the age of 18, when he entered the studio of Katsukawa Shunshō. Shunshō was an artist of ukiyo-e, a style of woodblock prints and paintings that Hokusai would master, and head of the so-called Katsukawa school. Ukiyo-e, as practiced by artists like Shunshō, focused on images of the courtesans (bijin-ga) and kabuki actors (yakusha-e) who were popular in Japan's cities at the time.\u003c\/p\u003e\n\u003cp\u003eAfter a year, Hokusai's name changed for the first time, when he was dubbed Shunrō by his master. It was under this name that he published his first prints, a series of pictures of kabuki actors published in 1779. During the decade he worked in Shunshō's studio, Hokusai was married to his first wife, about whom very little is known except that she died in the early 1790s. He married again in 1797, although this second wife also died after a short time. He fathered two sons and three daughters with these two wives, and his youngest daughter Ei, also known as Ōi, eventually became an artist and his assistant. \u003c\/p\u003e\n\u003cp\u003eHokusai had achievements in various fields as an artist. He made designs for book illustrations and woodblock prints, sketches, and painting for over 70 years. Hokusai was an early experimenter with Western linear perspective among Japanese artists. Hokusai himself was influenced by Sesshū Tōyō and other styles of Chinese painting. His influence stretches across the globe to his Western contemporaries in nineteenth-century Europe with Japonism, which started with a craze for collecting Japanese art, particularly ukiyo-e. Some of the first samples were to be seen in Paris, when in about 1856, the French printmaker, designer and colleague of many Impressionsist artists such as Édouard Manet, Félix Bracquemond first came across a copy of a Hokusai sketchbook at the workshop of August Dalatre, his printer.\u003c\/p\u003e\n\u003cp\u003eWith the sketchbook as his influence Bracquemond designed the \"Rousseau Service\", an elegant set of dinnerware, on behalf of Francois-Eugene Rousseau, the owner of a glass and ceramics shop. Exhibited at the Universal Exposition in Paris in 1867, the Rousseau Service was a success both critically and commercially and was reissued in several editions over the years. The Rousseau Service featured images of birds and fish copied from the Japanese book illustrations and placed asymmetrically against a white background for a look that would have been very modern at that time.\u003c\/p\u003e\n\u003cp\u003eHokusai also influenced the Impressionism movement, with themes echoing his work appearing in the work of Claude Monet and Pierre-Auguste Renoir, as well as Art Nouveau, or Jugendstil in Germany. His woodcuts were collected by many European artists, including Degas, Gauguin, Klimt, Franz Marc, August Macke, Édouard Manet, and van Gogh. Degas said of him, \"Hokusai is not just one artist among others in the Floating World. He is an island, a continent, a whole world in himself\". Hermann Obrist's whiplash motif, or Peitschenhieb, which came to exemplify the new movement, is visibly influenced by Hokusai's work.\u003c\/p\u003e\n\u003cp\u003eThe French composer Claude Debussy's tone poem La Mer, which debuted in 1905, is believed to have been inspired by Hokusai's print The Great Wave. The composer had an impression of it hanging in his living room and specifically requested that it be used on the cover of the published score, which was widely distributed, and the music itself incorporated Japanese-inflected harmonies.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Digital Download - 1 image","offers":[{"title":"Default Title","offer_id":50633450029386,"sku":null,"price":0.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7965\/7290\/files\/Hokusai_Katsushika_1760-1849_-TheWaterfallofYoshino_main.jpg?v=1747052078"},{"product_id":"utamaro-kitagawa-c-1753-1806-collection-of-reigning-beauties-komurasaki-of-the-tamaya-c-1794","title":"Utamaro, Kitagawa (c.1753-1806) - Collection of Reigning Beauties, Komurasaki of the Tamaya c.1794","description":"\u003cp\u003e\u003cspan\u003eJapanese wood-block print (Ukiyo-e) by the artist Kitagawa Utamaro.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis download consists of 1 image, in JPEG format, that is 600dpi and 3951 pixels wide by 6039 pixels tall.\u003c\/p\u003e\n\u003cp\u003eThe picture is out of copyright and in the public domain, so you are free to use it in whatever way you'd like, including commercial use.\u003c\/p\u003e\n\u003cp\u003eRead more about \u003ca href=\"https:\/\/publicdomainimagelibrary.com\/collections\/utamaro-kitagawa\" title=\"Utamaro\"\u003eKitagawa Utamaro\u003c\/a\u003e.\u003c\/p\u003e","brand":"Digital Download - 1 image","offers":[{"title":"Default Title","offer_id":60866677670218,"sku":null,"price":0.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7965\/7290\/files\/Utamaro_Kitagawa_c.1753-1806_-CollectionofReigningBeauties_KomurasakioftheTamaya_main.jpg?v=1768581909"},{"product_id":"utamaro-kitagawa-c-1753-1806-the-omando-dance-c-1783-84","title":"Utamaro, Kitagawa (c.1753-1806) - The Omando Dance c.1783-84","description":"\u003cp\u003e\u003cspan\u003eJapanese wood-block print (Ukiyo-e) by the artist Kitagawa Utamaro.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis download consists of 1 image, in JPEG format, that is 600dpi and 3976 pixels wide by 6016 pixels tall.\u003c\/p\u003e\n\u003cp\u003eThe picture is out of copyright and in the public domain, so you are free to use it in whatever way you'd like, including commercial use.\u003c\/p\u003e\n\u003cp\u003eRead more about \u003ca href=\"https:\/\/publicdomainimagelibrary.com\/collections\/utamaro-kitagawa\" title=\"Utamaro\"\u003eKitagawa Utamaro\u003c\/a\u003e.\u003c\/p\u003e","brand":"Digital Download - 1 image","offers":[{"title":"Default Title","offer_id":60866708898122,"sku":null,"price":0.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7965\/7290\/files\/Utamaro_Kitagawa_c.1753-1806_-TheOmandoDance_main.jpg?v=1768581908"},{"product_id":"utamaro-kitagawa-c-1753-1806-the-yoshiwara-sparrow-dance-c-1790-91","title":"Utamaro, Kitagawa (c.1753-1806) - The Yoshiwara Sparrow Dance c.1790-91","description":"\u003cp\u003e\u003cspan\u003eJapanese wood-block print (Ukiyo-e) by the artist Kitagawa Utamaro.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis download consists of 1 image, in JPEG format, that is 600dpi and 4023 pixels wide by 6030 pixels tall.\u003c\/p\u003e\n\u003cp\u003eThe picture is out of copyright and in the public domain, so you are free to use it in whatever way you'd like, including commercial use.\u003c\/p\u003e\n\u003cp\u003eRead more about \u003ca href=\"https:\/\/publicdomainimagelibrary.com\/collections\/utamaro-kitagawa\" title=\"Utamaro\"\u003eKitagawa Utamaro\u003c\/a\u003e.\u003c\/p\u003e","brand":"Digital Download - 1 image","offers":[{"title":"Default Title","offer_id":60866733539658,"sku":null,"price":0.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7965\/7290\/files\/Utamaro_Kitagawa_c.1753-1806_-TheYoshiwaraSparrowDance_main.jpg?v=1768581908"},{"product_id":"utamaro-41-high-resolution-images","title":"Utamaro 41 High Resolution Images","description":"\u003cdiv\u003eKitagawa Utamaro was a renowned Japanese ukiyo-e artist, celebrated for his exquisite woodblock prints depicting beautiful women. His delicate lines, subtle colour palettes, and innovative compositions greatly influenced both Japanese art and later Western impressionist painters.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003eThis download features 41 hi-res images, in JPEG format, by the Japanese artist Kitagawa Utamaro. \u003c\/p\u003e\n\u003cp\u003eThe images are all 600dpi and range in size from 3216 pixels wide\/tall to 6064 pixels wide\/tall.\u003c\/p\u003e\n\u003cp\u003eThe pictures are out of copyright and in the public domain, so you are free to use them in whatever way you’d like, including commercial use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKitagawa Utamaro (c.1753-1806)\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas a Japanese artist. He is one of the most highly regarded designers of ukiyo-e woodblock prints and paintings, and is best known for his bijin ōkubi-e, or \"large-headed pictures of beautiful women,\" of the 1790s. He also produced nature studies, particularly illustrated books of insects.\u003c\/p\u003e\n\u003cp\u003eLittle is known of Utamaro's life. His work began to appear in the 1770s, and he rose to prominence in the early 1790s with his portraits of beauties with exaggerated, elongated features. He produced over 2000 known prints and was one of the few Ukiyo-e artists to achieve fame throughout Japan in his lifetime. In 1804, he was arrested and manacled for fifty days for making illegal prints depicting the 16th-century military ruler Toyotomi Hideyoshi, and died two years later.\u003c\/p\u003e\n\u003cp\u003eUtamaro's work reached Europe in the mid-nineteenth century, where it was very popular, enjoying particular acclaim in France. He influenced the European Impressionists, particularly with his use of partial views and his emphasis on light and shade, which they imitated. The reference to the \"Japanese influence\" among these artists often refers to the work of Utamaro.\u003c\/p\u003e","brand":"Digital Download - 41 images","offers":[{"title":"Default Title","offer_id":60866747662666,"sku":null,"price":4.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7965\/7290\/files\/Utamaro_41_High_Resolution_Images.jpg?v=1768674849"},{"product_id":"utamaro-kitagawa-c-1753-1806-mother-and-child-c-1801-4","title":"Utamaro, Kitagawa (c.1753-1806) - Mother and Child c.1801-4","description":"\u003cp\u003e\u003cspan\u003eJapanese wood-block print (Ukiyo-e) by the artist Kitagawa Utamaro.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis download consists of 1 image, in JPEG format, that is 600dpi and 4376 pixels wide by 6000 pixels tall.\u003c\/p\u003e\n\u003cp\u003eThe picture is out of copyright and in the public domain, so you are free to use it in whatever way you'd like, including commercial use.\u003c\/p\u003e\n\u003cp\u003eRead more about \u003ca href=\"https:\/\/publicdomainimagelibrary.com\/collections\/utamaro-kitagawa\" title=\"Utamaro\"\u003eKitagawa Utamaro\u003c\/a\u003e.\u003c\/p\u003e","brand":"Digital Download - 1 image","offers":[{"title":"Default Title","offer_id":60908621660490,"sku":null,"price":0.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7965\/7290\/files\/Utamaro_Kitagawa_c.1753-1806_-MotherandChild_main.jpg?v=1769047808"},{"product_id":"cover-of-le-japon-artistique-1888-no-1","title":"Cover of Le Japon Artistique 1888 no.1","description":"\u003cp\u003eLe Japon Artistique or Artistic Japan was a magazine of Japanese art, published by German-born French art dealer Siegfried Bing. It ran for thirty-six monthly issues from 1888 to 1891 in French, English, and German editions and contributed to a revival of Japonism.\u003c\/p\u003e\n\u003cp\u003eThis download consists of 1 image, in JPEG format, that is 600dpi and 5382 pixels wide by 7407 pixels tall.\u003c\/p\u003e\n\u003cp\u003eThe picture is out of copyright and in the public domain, so you are free to use it in whatever way you'd like, including commercial use.\u003c\/p\u003e","brand":"Digital Download - 1 image","offers":[{"title":"Default Title","offer_id":60916986478922,"sku":null,"price":0.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7965\/7290\/files\/CoverofLeJaponArtistique1888_main.jpg?v=1769154309"},{"product_id":"cover-of-le-japon-artistique-1889-no-20","title":"Cover of Le Japon Artistique 1889 no.20","description":"\u003cp\u003eLe Japon Artistique or Artistic Japan was a magazine of Japanese art, published by German-born French art dealer Siegfried Bing. It ran for thirty-six monthly issues from 1888 to 1891 in French, English, and German editions and contributed to a revival of Japonism.\u003c\/p\u003e\n\u003cp\u003eThis download consists of 1 image, in JPEG format, that is 600dpi and 5412 pixels wide by 7380 pixels tall.\u003c\/p\u003e\n\u003cp\u003eThe picture is out of copyright and in the public domain, so you are free to use it in whatever way you'd like, including commercial use.\u003c\/p\u003e","brand":"Digital Download - 1 image","offers":[{"title":"Default Title","offer_id":60917214478666,"sku":null,"price":0.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7965\/7290\/files\/CoverofLeJaponArtistique1889_main.jpg?v=1769154308"},{"product_id":"cover-of-le-japon-artistique-1890-no-24","title":"Cover of Le Japon Artistique 1890 no.24","description":"\u003cp\u003eLe Japon Artistique or Artistic Japan was a magazine of Japanese art, published by German-born French art dealer Siegfried Bing. It ran for thirty-six monthly issues from 1888 to 1891 in French, English, and German editions and contributed to a revival of Japonism.\u003c\/p\u003e\n\u003cp\u003eThis download consists of 1 image, in JPEG format, that is 600dpi and 4500 pixels wide by 5967 pixels tall.\u003c\/p\u003e\n\u003cp\u003eThe picture is out of copyright and in the public domain, so you are free to use it in whatever way you'd like, including commercial use.\u003c\/p\u003e","brand":"Digital Download - 1 image","offers":[{"title":"Default Title","offer_id":60917278114122,"sku":null,"price":0.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7965\/7290\/files\/CoverofLeJaponArtistique1890_main.jpg?v=1769154307"},{"product_id":"poster-for-le-japon-artistique-c-1888","title":"Poster for Le Japon Artistique c.1888","description":"\u003cp\u003eLe Japon Artistique or Artistic Japan was a magazine of Japanese art, published by German-born French art dealer Siegfried Bing. It ran for thirty-six monthly issues from 1888 to 1891 in French, English, and German editions and contributed to a revival of Japonism.\u003c\/p\u003e\n\u003cp\u003eThis download consists of 1 image, in JPEG format, that is 600dpi and 4518 pixels wide by 5985 pixels tall.\u003c\/p\u003e\n\u003cp\u003eThe picture is out of copyright and in the public domain, so you are free to use it in whatever way you'd like, including commercial use.\u003c\/p\u003e","brand":"Digital Download - 1 image","offers":[{"title":"Default Title","offer_id":60917355938122,"sku":null,"price":0.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7965\/7290\/files\/PosterforLeJaponArtistique_main.jpg?v=1769154307"},{"product_id":"utamaro-kitagawa-c-1753-1806-a-woman-holding-a-dog-from-five-physiognomies-of-beauty-c-1804","title":"Utamaro, Kitagawa (c.1753-1806) - A Woman Holding a Dog from 'Five Physiognomies of Beauty' c.1804","description":"\u003cp\u003e\u003cspan\u003eJapanese wood-block print (Ukiyo-e) by the artist Kitagawa Utamaro.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis download consists of 1 image, in JPEG format, that is 600dpi and 3633 pixels wide by 5397 pixels tall.\u003c\/p\u003e\n\u003cp\u003eThe picture is out of copyright and in the public domain, so you are free to use it in whatever way you'd like, including commercial use.\u003c\/p\u003e\n\u003cp\u003eRead more about \u003ca href=\"https:\/\/publicdomainimagelibrary.com\/collections\/utamaro-kitagawa\" title=\"Utamaro\"\u003eKitagawa Utamaro\u003c\/a\u003e.\u003c\/p\u003e","brand":"Digital Download - 1 image","offers":[{"title":"Default Title","offer_id":60995043590474,"sku":null,"price":0.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7965\/7290\/files\/Utamaro_Kitagawa_c.1753-1806_-AWomanHoldingaDogc.1804_main.jpg?v=1770026947"},{"product_id":"koson-ohara-1877-1945-two-playing-dogs-1900-30","title":"Koson, Ohara (1877-1945) - Two Playing Dogs 1900-30","description":"\u003cp\u003ePicture by the Japanese Ukiyo-e artist Ohara Koson.\u003c\/p\u003e\n\u003cp\u003eThis download consists of 1 image in JPEG format that is 600dpi and 3870 pixels wide by 3775 pixels tall.\u003c\/p\u003e\n\u003cp\u003eThe picture is out of copyright and in the public domain, so you are free to use it in whatever way you'd like, including commercial use.\u003c\/p\u003e\n\u003cp\u003eRead more about \u003ca href=\"https:\/\/publicdomainimagelibrary.com\/collections\/ohara-koson\" title=\"Ohara Koson\"\u003eOhara Koson\u003c\/a\u003e.\u003c\/p\u003e","brand":"Digital Download - 1 image","offers":[{"title":"Default Title","offer_id":61026063221066,"sku":null,"price":0.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7965\/7290\/files\/Koson_Ohara_1877-1945_-TwoPlayingDogs1900-30_main.jpg?v=1770290889"},{"product_id":"koson-ohara-1877-1945-young-dog-1900-30","title":"Koson, Ohara (1877-1945) - Young Dog 1900-30","description":"\u003cp\u003ePicture by the Japanese Ukiyo-e artist Ohara Koson.\u003c\/p\u003e\n\u003cp\u003eThis download consists of 1 image in JPEG format that is 600dpi and 3858 pixels wide by 3780 pixels tall.\u003c\/p\u003e\n\u003cp\u003eThe picture is out of copyright and in the public domain, so you are free to use it in whatever way you'd like, including commercial use.\u003c\/p\u003e\n\u003cp\u003eRead more about \u003ca href=\"https:\/\/publicdomainimagelibrary.com\/collections\/ohara-koson\" title=\"Ohara Koson\"\u003eOhara Koson\u003c\/a\u003e.\u003c\/p\u003e","brand":"Digital Download - 1 image","offers":[{"title":"Default Title","offer_id":61026109522250,"sku":null,"price":0.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7965\/7290\/files\/Koson_Ohara_1877-1945_-YoungDog1900-30_main.jpg?v=1770290890"},{"product_id":"zeshin-shibata-1807-1891-crows-in-flight-at-sunrise-1888","title":"Zeshin, Shibata (1807-1891) - Crows in Flight at Sunrise 1888","description":"\u003cp\u003ePainting by the Japanese lacquerware and decorative artist Shibata Zeshin.\u003c\/p\u003e\n\u003cp\u003eThis download consists of 1 image in JPEG format that is 600dpi and 4239 pixels wide by 5967 pixels tall.\u003c\/p\u003e\n\u003cp\u003eThe picture is out of copyright and in the public domain, so you are free to use it in whatever way you'd like, including commercial use.\u003c\/p\u003e\n\u003cp\u003eRead more about \u003ca href=\"https:\/\/publicdomainimagelibrary.com\/collections\/zeshin-shibata\" title=\"Shibata Zeshin\"\u003eShibata Zeshin\u003c\/a\u003e\u003ca href=\"https:\/\/publicdomainimagelibrary.com\/collections\/mote-george\" title=\"George Mote\"\u003e\u003c\/a\u003e.\u003c\/p\u003e","brand":"Digital Download - 1 image","offers":[{"title":"Default Title","offer_id":61232046244170,"sku":null,"price":0.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7965\/7290\/files\/Zeshin_Shibata_1807-1891_-CrowsinFlightatSunrise1888_main.jpg?v=1772452509"},{"product_id":"hiroshige-ando-1797-1858-sakasai-ferry-1857","title":"Hiroshige, Ando (1797-1858) - Sakasai Ferry 1857","description":"\u003cp\u003e\u003cspan\u003eArtwork by the Japanese Ukiyo-e artist Ando Hiroshige.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis download consists of 1 image in JPEG format that is 600dpi and 4088 pixels wide by 5960 pixels tall.\u003c\/p\u003e\n\u003cp\u003eThe picture is out of copyright and in the public domain, so you are free to use it in whatever way you'd like, including commercial use.\u003c\/p\u003e\n\u003cp\u003eRead more about \u003ca href=\"https:\/\/publicdomainimagelibrary.com\/collections\/hiroshige-ando\" title=\"Ando Hiroshige\"\u003eAndo Hiroshige\u003c\/a\u003e.\u003c\/p\u003e","brand":"Digital Download - 1 image","offers":[{"title":"Default Title","offer_id":61256142618954,"sku":null,"price":0.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7965\/7290\/files\/Hiroshige_Ando_1797-1858_-SakasaiFerry1857_main.jpg?v=1772671451"},{"product_id":"harunobu-suzuki-1724-1770-the-evening-bell-eight-interior-views-c-1765-66","title":"Harunobu, Suzuki (1724-1770) - The Evening Bell, Eight Interior Views c.1765-66","description":"\u003cp\u003e\u003cspan\u003eArtwork by the Japanese ukiyo-e artist Suzuki Harunobu.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis download consists of 1 image in JPEG format that is 600dpi and 4428 pixels wide by 5976 pixels tall.\u003c\/p\u003e\n\u003cp\u003eThe picture is out of copyright and in the public domain, so you are free to use it in whatever way you'd like, including commercial use.\u003c\/p\u003e\n\u003cp\u003eRead more about \u003cspan\u003e\u003ca href=\"https:\/\/publicdomainimagelibrary.com\/collections\/harunobu-suzuki\" title=\"Suzuki Harunobu\"\u003eSuzuki Harunobu\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Digital Download - 1 image","offers":[{"title":"Default Title","offer_id":61488836837706,"sku":null,"price":0.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7965\/7290\/files\/Harunobu_Suzuki_1724-1770_-TheEveningBell_EightInteriorViews_main.jpg?v=1775057048"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7965\/7290\/collections\/Japanese_Artists-3745744.jpg?v=1753794163","url":"https:\/\/www.publicdomainimagelibrary.com\/collections\/japanese-artists-in-the-public-domain.oembed","provider":"Public Domain Image Library","version":"1.0","type":"link"}